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Mathilde Marchesi (1821–1913) was probably the most renowned singing teacher of the late nineteenth century. Herself the pupil of the great Manuel Garcia the Second and the associate of the unsurpassable divas of the middle nineteenth century, she also linked the traditional bel canto teaching method to the beginning of the twentieth century. Early in her career her work was praised enthusiastically by Rossini, who was for a time officially in charge of voice training in France; and toward the end of her career she prepared such superstars as Melba, Calvé, Eames, Aida, and others.
This volume embodies Madame Marchesi's "vocal alphabet," or basic instructions and exercises that formed the voices of her great pupils. An introductory text discusses breathing, attack, registers, and similar matters, while the remainder of the book contains many exercises that teach voice management and projections.
Marchesi's book is today even more important than when it first appeared, for it offers the basis for a construction of the bel canto training system. At the time the book appeared, the bel canto system had gone out of fashion in favor of more modern schools that seemed to offer more rapid maturation, voice volume, and dramatics. Today, a more realistic reevaluation has revealed that the bel canto system gave the singer much longer performing life, a more pleasing voice, and far greater musical ability. As Philip Miller states in his introduction, "a solidity, a sure technical mastery, an even scale with no register break . . . strong, even and secure trills, their coloratura masterly." In addition, the resurgence of interest in early-nineteenth-century opera renders a work like Marchesi's indispensable to the modern singer.
- Sales Rank: #531573 in Books
- Brand: Dover Publications
- Published on: 1970-06-01
- Released on: 1970-06-01
- Original language: English
- Number of items: 1
- Dimensions: 12.17" h x .33" w x 9.40" l, 1.00 pounds
- Binding: Paperback
- 128 pages
- Brand Name: Marchesi, Mathilde Mfg#: 9780486223155
- Shipping Weight: 1.00 lbs
- Manufacturer:
- Genre:
- All music products are properly licensed and guaranteed authentic.
Most helpful customer reviews
37 of 39 people found the following review helpful.
Don't try this alone, kids!
By A Customer
While the book includes a set of progressive exercises which are definitely essential, Marchesi's comments on singing technique are limited to only a few pages. When you consider that leading pedagogues such as Richard Miller, Meribeth Bunch and others have devoted volumes to vocal technique, Marchesi's advice is sparse, to say the least. A good book if you are currently working with a teacher or are an advanced singer with solid classical technique looking for some new exercises. Not for the beginner to attempt alone!!!
25 of 25 people found the following review helpful.
A must have for those who want to learn bel canto
By A Customer
This book is mostly scales with a few pages of actual vocal technique. This is not for the beginner to use though. The person who uses this book should use it as a supplement to their own vocal studies and have a solid technique for the scales to actually work for you. I'm thorougly enjoying the book thus far.
6 of 6 people found the following review helpful.
Nice Vocal Exercises
By Heather M. Latiri
I bought this book to review it and decide whether or not to use it in my studio for my students.
The preface in which she describes the glottal stroke is correct in that this is what happens upon phonation, but a singer may interpret it as to start the sound with a diliberate glottal stroke which is harsh on the vocal chords.
The exercises are nice and challenging. The progression of the exercices build on each other as well. I have started using this for my more advanced students.
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